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Meteora Type Family / 2 Fonts

About The The amount of low contrast between thick and thin strokes brings strength and consistency with the contours apparently brokens. Its purpose is to be useful tool for solving decorative problems in graphic design which require broken letters without ascending and descending strokes

The first Meteora sketches were made by hand, photocopying and deforming letters of an old Letraset catalog, specifically from slab serif typefaces from the Nineteenth Century. Thus, developed features slab serif and sans-serif proposing empty and full shapes connoting decomposition and noise; and from a rigorous process of scanning letters I set up damaged letters, but drawn with the greatest possible thoroughness and high definition in 438 glyphs per font. Due to its vertical and horizontal proportions these letters are compact, appealing and special to compose headlines and featured with worn look in covers, magazines, posters and advertising material. The amount of low contrast between thick and thin strokes brings strength and consistency with the contours apparently brokens. Finally, in regular and bold variables I included opentype features with some discretionary ligatures and a few titling alternates. Meteora is a font designed for headlines by Carlos Fabian Camargo Guerrero. Hence, uppers cases and lower cases were merged in the same height x, obtaining a narrow width, endings with some serifs and stencil cuts here and there. Its purpose is to be useful tool for solving decorative problems in graphic design which require broken letters without ascending and descending strokes. In Meteora bold all glyphs are framed simulating the effect of letters cut out of paper.

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Meteora Type Family / 2 Fonts

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Specifications of Meteora Type Family / 2 Fonts

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Meteora Type Family / 2 Fonts
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Meteora Type Family / 2 Fonts
Meteora Type Family / 2 Fonts
Meteora Type Family / 2 Fonts
Meteora Type Family / 2 Fonts
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